Steven Winn

The small company comes up trumps with a compelling production of the modern-day masterpiece.

The Palo Alto-based company offers up a mostly pleasing, musically erratic Abduction from the Seraglio

Powerful American tenor Matthew Polenzani knocked a delightfully eccentric program out of the (First Congregational) Church in Berkeley Saturday night.

Anne Sofie von Otter is a great performer you root for. But her recital with pianist Angela Hewitt was not all gold, despite that.

A night of stars that felt more like a great, improvised house concert, full of wit and humor.

The last S.F. Opera season planned by David Gockley is heavy on thrills, with an unusual double bill and a Sondheim classic.

The young singers who have been through the Operaʼs training program are already shining in mainstage productions. With the spotlight focused on them, they showed great poise and maturity.

S.F. Symphony kicks off its American tour with Ravel’s full “choreographic symphony in three parts” drawn from his 1912 ballet score Daphnis et Chloé, featuring Gil Shaham as soloist.

Music Director Nicola Luisotti is missed when the S.F. Opera revives its sturdy, time-worn production of Tosca.

A new TheatreWorks revival of Sweeney Todd comes together in channeling the mad drive of the Sondheim classic.