Anatole Leikin

Anatole Leikin is Professor of Music at the University of California, Santa Cruz. He has published in various musicological journals and essay collections worldwide and recorded piano works of Scriabin, Chopin, and Cope. His critically acclaimed books The Performing Style of Alexander Scriabin and The Mystery of Chopin's Préludes were recently published by Ashgate Publishing (UK) and reissued by Routledge (UK). Dr. Leikin also serves as an editor for The Complete Chopin — A New Critical Edition (Peters, UK).

Articles By This Author

Anatole Leikin - June 26, 2012

Nareh Arghamanyan performs piano works by Rachmaninov with passion and technical fluency, on a CD whose program notes run from problematic to sappy.

Anatole Leikin - March 6, 2012

Charm and elegance distinguish performances of Enrique Granados’ scintillating piano suite.

Anatole Leikin - February 21, 2012

An astonishing young piano virtuoso captivates listeners with his rare storytelling gift.

Anatole Leikin - January 13, 2012

From butterflies to specters, an esteemed pianist’s rendition of Schumann remains fitfully two-dimensional, respectable but too tame.

Anatole Leikin - December 13, 2011

Precision in playing C.P.E. Bach marks the local recital debut of a noted German pianist and conductor.

Anatole Leikin - November 25, 2011

Chopin, and nothing but, comes to San Jose, courtesy of an accomplished young pianist with a heavy foot on the pedals.

Anatole Leikin - November 16, 2011

Pianist Alexander Melnikov enchants listeners with his playing of the entire set of Shostakovich Preludes and Fugures.

Anatole Leikin - October 18, 2011

A two-CD set celebrates the bicentennial of Franz Liszt’s birth, revealing threads connecting that visionary to other composers of note.

Anatole Leikin - June 7, 2011

A rare program of Russian Orthodox sacred music displays its emotional ardor, fervor, and great beauty.

Anatole Leikin - March 16, 2009
The program that Evgeny Kissin played at Davies Symphony Hall on Thursday brought together Sergei Prokofiev, a flamboyant 20th-century extrovert — the “Russian Liszt” (as Francis Poulenc called him) — and Frederic Chopin, a reticent bard of the 19th-century piano.