Clarinetist Michael Corner shines in a Mozart concerto.

A program that also features Beethoven’s “Eroica” is profoundly personal and often moving.

Guest conductor Carlos Vieu shares the limelight with fellow Argentinian, soprano Daniela Tabernig.

The ensemble’s Sunday programs for Stanford Live embraces a broad vision of chamber music.

The orchestra demonstrates its mettle with a polished Bay Area premiere of a neglected Britten concerto.

From an airy Mozart piano piece to a dramatic Schoenberg sextet, the final program of 2018 was a study in contrasts.

The music festival dedicates a recital to the much-neglected viola.

Parisian wit and flair were on display, even as a brilliant Prelude performance again revealed Menlo's secret.

Arresting performances featured unconventional ensembles, multicultural influences, and soloists on everything from banjo to Vietnamese zither.