The singers are superb, but the production’s temperature is curiously cool.

Soprano Christina Major brings power and fury to the role of Abigaile in an opera that remains surprisingly relevant.

All the elements coalesce in this provocative interpretation of Melville’s dark novella.

Carlisle Floyd’s Appalachian-themed study of cultural hypocrisy and sexual violence is more timely than ever.

Peter Sellars’s masterful, minimalist direction provides the perfect setting for LAMC’s powerful performance.

The Two Widows bubbles over with life’s sorrows and joys.

András Schiff plays and conducts a long, oddly asynchronous concert.

The world premiere of Richard Marriott’s Ghost Ship Concerto headlines the somber program.

The cellist gives a marathon performance of Bach at the Greek.