Nicholas Jones

The Beethoven of the 1500s created music that still has the power to move audiences, 500 years after his death.

Carlo Pallavicino’s forgotten opera delights the ear and the eye in this contemporary restoration.

The legendary (if apocryphal) rivalry leaps off the screen in a gripping digital production featuring Simon Barrad and Sidney Outlaw.

Francesco Cavalli’s bawdy critique of political corruption gets a fresh (live) take at the Bruns Amphitheater.

Louise Farrenc’s Third Symphony is a revelation on a program that also happens to be Morgan’s conducting debut with the orchestra.

The brilliant Baroque violinist died in June, leaving an impressive legacy. Here’s our guide to some of her best work.

Outdoors and socially distanced, the company’s new production foretells a return to fully live opera, despite the burden of electronic mediation.

Juxtaposing real-time and recorded choral sections evokes a dreamlike atmosphere contrasting intimacy and isolation.

The Berlin-based ensemble performs hidden gems with extraordinary verve and precise musicality.

Three of the restored violins take the limelight in a Vivaldi concerto.