Nicholas Jones

The legendary (if apocryphal) rivalry leaps off the screen in a gripping digital production featuring Simon Barrad and Sidney Outlaw.

Francesco Cavalli’s bawdy critique of political corruption gets a fresh (live) take at the Bruns Amphitheater.

Louise Farrenc’s Third Symphony is a revelation on a program that also happens to be Morgan’s conducting debut with the orchestra.

The brilliant Baroque violinist died in June, leaving an impressive legacy. Here’s our guide to some of her best work.

Outdoors and socially distanced, the company’s new production foretells a return to fully live opera, despite the burden of electronic mediation.

Juxtaposing real-time and recorded choral sections evokes a dreamlike atmosphere contrasting intimacy and isolation.

The Berlin-based ensemble performs hidden gems with extraordinary verve and precise musicality.

Three of the restored violins take the limelight in a Vivaldi concerto.

The great viol player leads a program of Baroque Spanish theater music at Cal Performances.

The violinist and orchestra are at their finest in Mozart’s “Turkish” Concerto.