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Classical Grammys Keep Their Cool

January 30, 2018

The Grammy Awards for classical music are a bit lower key than the major awards both in that they generate less controversy and that they tend to play it safe. That said, there were a few pleasing wins for organizations and people who deserved recognition, and only a few awards to regular Grammy favorites.

Sure, John Williams won in the Best Arrangement, Instrumental or A Capella category (Escapades, for Alto Saxophone and Orchestra), and Leonard Bernstein the Composer, the box set from SONY Classical took the prize for Best Historical Album, but not everything went according to form.

Of purely local interest, the high-powered performance of Shostakovich’s Fifth Symphony by the Pittsburgh Symphony under Manfred Honeck took the Best Orchestral Performance statue from a group of nominees that included San Francisco Symphony’s Debussy album.

Surprises included the Houston Symphony winning it’s first-ever Grammy for Best Opera Recording for Berg’s Wozzeck (Naxos), overcoming competition from two different recordings by the Metropolitan Opera and the Mariinsky’s recording of Rimsky-Korsakov’s The Golden Cockerel. The Houston recording had previously won an ECHO Klassik Best Opera Recording Award as well as top reviews from Gramophone and Fanfare, so it was clearly deserved. Mark Donohue took home a Best Engineered Album award for the same recording.

Best Classical Solo Vocal Album went to Barbara Hannigan’s Crazy Girl Crazy (Alpha Classics) in a category that saw heavy competition from Joyce DiDonato (In War and Peace) and Nicholas Phan (Gods and Monsters). Pianist Daniil Trifonov edged out Murray Perahia, Augustin Hadelich and Joyce Yang, and Frank Peter Zimmermann for Best Classical Instrumental Solo.

The rest of the winners:

  • Best Instrumental Composition Three Revolutions — Arturo O'Farrill, composer (Arturo O'Farrill & Chucho Valdés))

  • Producer Of The Year, Classical: David Frost

  • Best Choral Performance: Bryars: The Fifth Century — Donald Nally, conductor (PRISM Quartet; The Crossing)

  • Best Chamber Music/Small Ensemble Performance: Death & The Maiden — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra

  • Best Classical Compendium: Jennifer Higdon: All Things Majestic, Viola Concerto & Oboe Concerto — (Nashville Symphony, Giancarlo Guerrero, conductor; Tim Handley, producer)

  •  Best Contemporary Classical Composition: Viola Concerto — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and the Nashville Symphony)

Michael Zwiebach is the senior editor/ content manager for SFCV. He assigns all articles and content, manages the writing staff and does editing. A member of SFCV from the beginning, Michael holds a Ph.D. in music history from the University of California, Berkeley.