Piano

I've been teaching in the Bay Area since 1972 and maintain a studio in North Berkeley close to the North Berkeley BART station. My class includes school-age children at all levels and committed adults, both avocational and professional. I hold monthly performance workshops for my school-age students and bimonthly gatherings for my adults. I am familiar with the Taubman technical approach and the Suzuki method and repertoire, although I am not a Suzuki teacher per se. My approach with young children is both rigorous and fun.

I have taught voice for the last 30 years while doing a career in performing. I have sung in regional houses throughout the U.S. including Arizona, Utah, Cincinnati, Lancaster, San Francisco Pocket opera, and Eugene Opera companies to name a few, and soloed in Israel with the Jerusalem Symphony. I was a Metropolitan Opera finalist and have several other competition winnings. I enjoy performing, but my real passion is teaching. My students have won full scholorships to BYU Universties, Bob Jones University, New England Conservatory, and Florida State.

Piano
Patricia has developed a new piano method for young students, ages 5 to 7 yrs. It's called Sing and Play; which uses the voice to learn music and then play it on the piano with good form in a musical way. It is based on Kodaly's vision for teaching music to everyone.

This method is adapted to older students and adults as well. It results in the student processing the music differently and more musically. Learning is easier, and challenging musicianship skills are easily developed.

Bio available at San Francisco Conservatory of Music website: www.sfcm.edu scroll to collegiate faculty.

In addition to her role at SFCM, Dr Mann holds a small private studio in her home studio in Berkeley.

Mikako Endo is a piano teacher and composer, born in Tokyo, Japan. She comes from three generations of professional jazz musicians. She received her B.M. in Music Education and Composition from Tokyo Gakugei Univ. and her M.A. from San Francisco Conservatory of Music. In Japan, she was not only a popular piano teacher, but also produced several successful music videos. Since arriving in the U.S. she has worked as an audio engineer, provided computer animations for the CD-ROM "Children of the Cranes", and composed music for it and for two CD-ROM games, "Gazillionaire" and "Zapitalism".

Visit website for bio www.angelopianoduo.com

Since 1985 I have performed in vocal, solo, and chamber music recitals throughout the Bay area with ensembles: Trio della Rosa, Montage, and with members of the Kronos Quartet, S.F. Symphony, S.F. Ballet and the S.F. Opera Orchestra. Worked as staff accompanist and vocal coach at Notre Dame (Belmont); as accompanist for the San Francisco Lyric Choir; and accompanist for "Bass Bash" summer music programs with Barry Green. I was on the faculty at the Marin Music Conservatory teaching private piano from 1995-2008.

Ms. McCarroll made her orchestral debut under renowned American composer Gunther Schuller. She has worked throughout the US and internationally: Royal Danish Opera, Utah Festival Opera, San Francisco Opera, Opera San Jose, Festival Opera, and West Bay Opera. Member of the 2010 coaching staff of RESONANZ festival-Albany, New York. Also has accompanied famed sopranos Jane Eaglen, Nucia Focile, and Linda Watson; she was musical preparer under Kent Nagano for works by Elliott Carter ("What next?") and Unsuk Chin.

My piano lessons from from 6 yrs. old through high school were my favorite activity-- so I kept practicing piano while switching my major to flute, because I was also in love with the orchestra!

I have performed a lot of solo and chamber music on the flute, and now participate in a "piano group" to keep up the excitement of performing on piano. My teaching style is relaxed, but I hear from students that I am also demanding-- mostly it depends on how the student learns, and how much time they can practice (surprise, surprise!)