Opera

Despite some hiccups with staging and music, soprano Olga Chernisheva was riveting in the title role.

Stephen Sondheim’s scream-fest is gory, erotic, hilarious, and tragic – everything you need for a great night at the opera.

Extraordinary singing by Michael Fabiano was the main reward in an otherwise uninspiring performance.

The 2015 edition of the Merola Opera Program’s Grand Finale provided all the drama and entertainment of a reality TV competition.

Marais’ opera get its long overdue U.S. premiere thanks to American Bach Soloists.

Merola does it again with the excellent Don Pasquale, but the production deserved more than just two performances.

Santa Fe Opera has another successful launch of a new work thanks to the work of composer Jennifer Higdon and librettist Gene Scheer.

With its unique setting, a former steel pipe factory, West Edge Opera stays true to its marketing tagline of "unexpected places" for "remarkable operas."

West Edge Opera’s full-out production embraced the hedonistic sexuality and the depravity of Alban Berg’s masterpiece.

The chamber opera follows the transition of a transgender person to womanhood, sung simultaneously by baritone Dan Kempson and mezzo-soprano Brenda Patterson.