The contemporary ensemble brings in composers from diverse backgrounds and practices, which creates its own challenges.
Etienne Gara’s ensemble is one of several young groups in L.A. that are shaking up formats and programing in a welcome way.
The young professionals in the program take swings at big roles, with consistently exciting results.
Artistic Director Anne K. Hege wants her singers to investigate the breadth of human emotions in their winter concert.
Errollyn Wallen’s new opera, given its American premiere by Philharmonia Baroque Orchestra, extends Purcell’s Dido and Aeneas.
Iris Nemani arrives on campus in April and brings a background in theater.
You’ll see these new faces onstage with the orchestra over the next two seasons.
There’s been no shortage of terrific musicians to benefit from the leg up that the partnership between SFCM and the SF Symphony provides.
