Previews

Jeff Kaliss - February 16, 2010
On tour with the Kronos Quartet and anticipating a phone interview with SFCV, David Harrington found himself thinking about barbed wire fences.
Joseph Sargent - February 14, 2010
Young. Sexy. Flashy. In the world of classical music, these words pop up repeatedly when describing the three women who comprise the Eroica Trio. And indeed, this is one ensemble that has never been afraid to show off its glamorous side.
Marianne Lipanovich - February 14, 2010
Lots of kids, lots of information, lots of great music, though not lots of money are the mainstays of the San Francisco Chamber Orchestra’s Family Concerts. The next concert series is coming up on Feb. 27 and 28. The good news is that you don’t have to come as a part of a family to still enjoy the fun.

First, just what is meant by “lots of kids”?

Georgia Rowe - February 12, 2010
Although many consider him one of the most significant musical figures of the 20th century, American audiences still haven’t caught up to Luigi Nono. The Italian composer — a leader in the postwar avant-garde, and a contemporary of Boulez and Stockhausen — remains something of an enigma in the West.

The San Francisco Contemporary Music Players venture where others fear to tread.

Michael Zwiebach - February 9, 2010

The choral group AVE (Artists' Vocal Ensemble) returns to the stage on the President's Day weekend. The concert's title, “This American Land,” refers to the actual earth, and the music is connected by composers' musings on “the sacredness of the earth.”

Michael Zwiebach - February 9, 2010

While Voices of Music brought in oboist Gonzalo Ruiz for their recent “Great Artists Series,” their upcoming concerts of the Bach Violin Sonatas features violinist Carla Moore — a pretty great artist in her own right.

Marianne Lipanovich - February 9, 2010
Music has often been used to erase the burdens of war, for both combatants and civilians.
Michael Zwiebach - February 9, 2010
Redwood Symphony’s artistic director, Eric Kujawsky, knows how to get professional soloists to play with his all-volunteer orchestra: persistence.
Jeff Dunn - February 8, 2010

If search-engine hits are the Web election determining America’s most popular poet, then Emily Dickinson is currently in second or third place (along with Henry Longfellow), behind Walt Whitman. But unlike Whitman, her intensely personal poetry seeks a sympathetic reader, not a vast public sphere. And perhaps that is what drew the composer Gordon Getty to her. His song cycle on Dickinson's poetry, The White Election, will be performed, appropriately, on a Tuesday, Feb. 23.

Janos Gereben - February 8, 2010
On Feb. 20, the day before Riccardo Chailly conducts the first of two concerts with Leipzig’s venerable Gewandhaus Orchestra at Davies Symphony Hall, he will turn 57.

His return to San Francisco will come 33 years after his participation in a historic event that took place in the War Memorial Opera House: