Janice Berman

The ODC Dance Company’s opening-night work, boulders and bones, the second choreographic collaboration between Brenda Way and KT Nelson is a don't-miss trifecta of dance, music, and visual arts.

It’s rare to see dancers perform not only gorgeously but with such seamless unity as the Cedar Lake Ballet.

The S.F. Ballet launched its second mixed bill of the season with a tasty buffet that included Natalia Makarova's La Bayadère included Christopher Wheeldon’s Ghosts and Yuri Possokhov’s Firebird.

Program 2 at the S.F. Ballet moves from a rather rote Tears onto delight in From Foreign Lands and a radiance in Borderlands. 

After shaking off some initial jitters the Ballet San Jose works its magic and sets the footing for a strong relationship with the audience to come.

John Neumeier and the Hamburg Ballet's Midsummer Night's Dream isn't just neoclassicism on a grand scale, with dazzling costumes, magical settings, a full orchestra, and plenty of fine dancers — it's great fun.

A peek at this season’s promising movers, shakers, dancers, and makers.

Aszure Barton’s 2012 creation for seven gifted dancers — six men, one woman, her co-collaborators, comes to San Francisco Performances.

The return of Martha Graham Dance Company to Zellerbach Hall featured dancers with strong Graham technique, style, and substance and repertory that was alive and juicy.

Glorious dancing to a seeming musical puzzle is the signature of Random Dance’s Far, the London company seen at Yerba Buena Gardens.