Janice Berman

Janice Berman, SFCV’s senior dance critic, has been a dance writer and reviewer since 1978, beginning at Newsday and New York Newsday. She has written on dance for The New York Times, Los Angeles Times, San Francisco Chronicle, Ballet Review, and Dance Magazine, where she was editor-in-chief.

Articles By This Author

Janice Berman - September 28, 2013

Bodytraffic dance troupe finds a clear lane in highly entertaining works at the ODC Theater.

Janice Berman - September 17, 2013

The 22nd annual West Wave Dance Festival offered a wide range of dance troupes, demonstrating talent, vivacity, and dramatic partnering. 

Janice Berman - September 15, 2013

The San Francisco Dance Film Festival offered fine examples of live performance on film and video, in a showcase in which the shorts intrigued the most.

Janice Berman - June 17, 2013

The 35th Ethnic Dance Festival features 10 troupes performing for their love of community and homeland and the joy is contagious.

Janice Berman - June 13, 2013

Mark Morris demonstrates, once again, that he has quite an ear in the presentation of (the world premiere) Spring, Spring, Spring and Mosaic and United, one of his best pieces. 

Janice Berman - May 31, 2013

The master, music director of Cal Performances’ Ojai North festival (not to mention Ojai itself), brings his company to Zellerbach Hall for one night only.

Janice Berman - May 4, 2013

San Francisco Ballet’s new Cinderella, which had its U.S. premiere Friday night with a cast headed by Maria Kochetkova in the title role, is magic.

Janice Berman - May 4, 2013

The Paul Taylor Dance Company chose a dry and difficult path to open its five-day San Francisco Performances engagement Wednesday.

Janice Berman - April 24, 2013

Taylor, 82 and amazing, sends three shows March 30-April 2 to the Novellus Theater, including local premieres of Kith and Kin, Gossamer Gallants and The Uncommitted. 

Janice Berman - April 24, 2013

The return of the Alvin Ailey American Dance Theater for its second engagement at Zellerbach Hall since Robert Battle took over the artistic directorship is, to judge from Tuesday’s opening, a rip-roaring audience success.