Janos Gereben

Janos Gereben appreciates news tips, corrections, and words of encouragement at [email protected].

Articles By This Author

Janos Gereben - September 16, 2008
"These are the things I know," begins Amy Tan's novel The Bonesetter's Daughter.
Janos Gereben - August 26, 2008
David Sloss and the Fremont Symphony proved last weekend that the rave review for the Fremont Opera's inaugural production of La Bohème last year was not the result of a fluke.
Janos Gereben - August 26, 2008
Musiciens Sans Frontières have arrived, musicians without regard to genre frontiers, courtesy of the Wordless Music Series, which premiered at Herbst Theatre on Thursday. On the one hand, regional pride is raising its ugly head: We don't need no stinkin' "New York new music" to enliven our concert life.
Janos Gereben - August 19, 2008
The wistful lyrics from West Side Story must have had a special meaning for David Gockley as he contemplated the lack of appropriate performance venues in the city. It was a couple of years ago, and Gockley had just arrived as the new general director of San Francisco Opera.
Janos Gereben - August 12, 2008

There are few plays as firmly in charge of their own stage destiny as Shakespeare's Midsummer Night's Dream. It's all in the text, of course, but also in the style of the piece, with its shimmering, playful way of intermingling spirits and mortals. Significant alteration is not really feasible, so writers and composers must follow Master William's playbook.

Janos Gereben - August 5, 2008
Music@Menlo's survey of music history arrived triumphantly at 20th Century Unlimited over the weekend. Program IV, "The Rise of Modernism," shone with rousing performances of Debussy, Stravinsky, Gruenberg, Ives, Britten, Prokofiev, and Shostakovich. The sold-out house in St.
Janos Gereben - July 22, 2008
Few rock concerts are as eventful as the Wagner-Mozart-Bach presentation at Festival del Sole last Thursday turned out to be. The news included the disruptive effects of a Presidental visit and roadblock, a serious injury to the conductor/violinist the day before the concert, and a near-catastrophic memory lapse by the pianist.
Janos Gereben - July 15, 2008
Unusual as it may be to mention the economy and other seemingly extraneous items right at the top of a concert review, the unusual nature of said economy (and its relationship to the arts) well warrants doing so here. First impression Saturday at the beginning of the third season of Festival del Sole in Napa: a full Lincoln Theater, the cavernous space filled probably more than at previous gala op
Janos Gereben - June 3, 2008

The Ring of Richard Wagner's four-opera, 15-hour Der Ring des Nibelungen"is an instrument of pure evil. It represents extreme greed and the drive for absolute power. This Ring corrupts and destroys its owners, be they dwarfs, giants, heroes, gods or, at the end, in the flames of The Twilight of the Gods, the old world order itself.

Janos Gereben - June 3, 2008
I had to look up the date, but the scene itself is still clear in my mind after so many years.