Reviews

Jim Farber - June 6, 2023

Pianist Evren Ozel, violist Jordan Bak, and violinist Geneva Lewis give an impressive recital in an unusual configuration.

Tamzin Elliott - June 6, 2023

For Piano Spheres, Kallay used Alexander Scriabin’s Fifth Sonata as a jumping-off point to explore “ecstatic states.”

Lisa Hirsch - June 5, 2023

Stephen King’s bestselling novel comes to the opera stage with, thankfully, less luridness than Stanley Kubrick’s famous film adaptation.

Simon Cohen - May 31, 2023

Conductor John Nelsons, mezzo-soprano Joyce DiDonato, and collaborators give great performances of Roméo et Juliette and Cléopâtre.

Jim Farber - May 31, 2023

The orchestra caps a remarkable 10-day run with premieres from composers Ellen Reid and Gabriella Smith.

Steven Winn - May 30, 2023

The South Bay company tests its mettle in the composer’s youthful, turbulent work.

Chrysanthe Tan - May 30, 2023

There was a lot of talent on the stage in Torrance. Time to let them lead.

Lisa Hirsch - May 30, 2023

Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.

Emery Kerekes - May 30, 2023

Our intrepid New York correspondent binges on the city’s most celebrated new-music marathon and shares its many hidden gems.

Rebecca Wishnia - May 26, 2023

The Seattle organization brilliantly realizes a double bill of operas about the Holocaust by composer Jake Heggie.