The company’s modern premiere of Domenico Freschi’s forgotten 1681 opera gets the details right.
Crossing stylistic boundaries, Gordis’s concert for Berkeley’s MusicSources next month will show the versatility of her instrument.
With an enterprising Baroque band and a cast and crew of mostly locals, a major opera director sets up a local festival in a community hall.
The post-pandemic world has been hard on these underfunded organizations. How will they hang on?
Get ready for the latest 17th-century world premiere from Céline Ricci and company.
