It’s almost essential to see this production of Little Women at the S.F. Conservatory of Music for anyone planning on seeing the composer/librettist’s latest opus, The Gospel of Mary Magdalene, at the S.F. Opera in June.
Bonjour M. Gauguin promises to be one of the most exciting, if strange and avant-garde, operas the West Edge company has ever done. And that’s saying something.
Livermore Opera opens its La traviata with a known quantity, in Rebecca Davis, who has sung Violetta Valery at Opera San Jose and is an alumna of the Merola Opera Program.
Nathan Gunn is a refined, elegant singer of art song, and his Cal Performances recital promises to be a highlight, in a Bay Area season that’s just crammed with great singers.
For those living the lush life, the San Francisco Symphony is presenting an all-French program featuring soprano Renée Fleming in orchestral songs by Debussy and Canteloube.
Anyone who doesn’t yet know that Kansas-bred former Merolina Joyce DiDonato is a treasurable and highly versatile artist can join her throngs of devotees for “Drama Queens”.
The second mainstay opera of SFO’s season to feature equally strong alternating casts, this Tosca, thanks to the company’s shrewd General Director David Gockley, gives us the dueling divas Angela Gheorghiu and Patricia Racette.
