Reviews

Lisa Hirsch - October 9, 2007
Appomattox, Philip Glass' much-anticipated new opera, rolled into San Francisco on October 5 as part of a wave of premieres by the composer, who celebrated his 70th birthday earlier this year.
Michelle Dulak Thomson - October 9, 2007
An all-Vivaldi program is a tricky proposition.
Jason Victor Serinus - October 9, 2007
Oakland Opera Theater’s The Turn of the Screw is both a triumph of spirit and a stumbling of conception.
Lisa Hirsch - October 2, 2007
Philip Glass turned 70 this year, and the Bay Area is celebrating in style, with performances of two high-profile new works, Appomattox at San Francisco Opera and The Book of Longing, a collaboration with Leonard Cohen, at Stanford Lively Arts.
Michelle Dulak Thomson - October 2, 2007
For the past year-plus, the New Century Chamber Orchestra has been auditioning prospective artistic directors to replace the departed Krista Bennion Feeney, the orchestra's leader from 1999 through 2006. The search is nearing its end — the winner is to be announced at the orchestra's "Evening Serenade" benefit performance Nov.
Jason Victor Serinus - October 2, 2007
I thought I knew Olga Borodina’s voice pretty well. But then I discovered myself seated in second row center of Zellerbach Hall. Sitting that close to the Russian mezzo, the glories of her instrument were nigh overwhelming. Even as she was on the mend from the audible and visible affects of bronchitis, Borodina’s voice radiated magnificence.
Jonathan Rhodes Lee - October 2, 2007
Ensembles generally slumber through the Haydn quartets, which are often relegated to opening-number status and overshadowed by those giant works from Beethoven that so often follow them. Not so with the New Esterházy Quartet, a young ensemble devoted, as its name implies, to the works of Haydn.
Scott Cmiel - October 2, 2007
Virtuoso lutenists enjoyed privileged positions in Renaissance Europe. They were held in high esteem, were well-paid by princes and kings, and often had magical effects ascribed to their performances.
Scott MacClelland - October 2, 2007
An institutional rarity, the Ives String Quartet is its own nonprofit corporation, and produces its own "Home Series" Bay Area season of concerts. Currently, these include three programs played twice, at St. Mark's Church in Palo Alto and at Le Petit Trianon Theatre in San Jose.
October 2, 2007
Despite its rare appearance in concerts today, it takes little effort to grasp why William Boyce's Solomon enjoyed such extraordinary popularity during the second half of the 18th century.