Jason Victor Serinus

Jason Victor Serinus regularly reviews music and audio for Stereophile, SFCV, Classical Voice North America, AudioStream, American Record Guide, and other publications. The whistling voice of Woodstock in She’s a Good Skate, Charlie Brown, the longtime Oakland resident now resides in Port Townsend, Washington.

Articles By This Author

Jason Victor Serinus - May 21, 2012

Dolby Labs’ new TrueHD technology enables higher sound quality for action flicks, pop music, and — more aptly here — the S.F. Symphony’s esteemed media projects.

Jason Victor Serinus - May 15, 2012

So you’ve been convinced to make the big switch, and now you want to become a downloading Jedi and Master of the Vinyl. Here are some quick audiophile tips to start you off.

Jason Victor Serinus - May 15, 2012

Goodbye CDs, hello high-resolution downloads and — surprise! — vinyl LPs. Here’s the why and the how of it.

Jason Victor Serinus - May 14, 2012

An unknown piano work by the iconoclastic Lou Harrison will rise from the dead, along with an East–West fusion work for large chorus, La Koro Sutro.

Jason Victor Serinus - May 11, 2012

Youthful pianist Orion Weiss plays the racing stripes off Gershwin classic vehicles, with the Buffalo Philharmonic along for the ride.

Jason Victor Serinus - May 4, 2012

Judging from this new live recording of Werther, captured in May 2011 at the Royal Opera House Covent Garden and conducted by Antonio Pappano, Rolando Villazón remains on top of his game.

Jason Victor Serinus - April 30, 2012

French soprano Sandrine Piau brings the sun indoors, in her splendid Berkeley recital, and carries hearts away.

Jason Victor Serinus - April 24, 2012

The spell-binding baritone Matthias Goerne and his superb accompanist, Leif Ove Andsnes, take listeners on a transcendent artistic journey.

Jason Victor Serinus - April 22, 2012

Handel’s Alexander’s Feast yields a compact masterpiece — fresh, original, beautiful — starring the Philharmonia Baroque Orchestra and Chorale.

Jason Victor Serinus - April 20, 2012

A rapt listen to Dead Man Walking recorded from Houston Grand Opera’s 10th anniversary performances confirms that the opera’s brilliantly balanced score amplifies and personalizes the story’s emotional core beyond the realm of words.