In a major recital for LA Opera, the tenor sings three world premieres dealing directly with being proudly gay.
This year’s PIVOT Festival will showcase the music of Black and women composers, works that haven’t been recorded until now.
SFCV chats with the award-winning, boundary-breaking dance artist, whose company, A.I.M, comes to California this month.
Resurrected by determined advocates like Cox, William Levi Dawson’s symphony is definitely repertory-worthy.
The Bay Area musician made national headlines when she was denied tenure by the SF Symphony in 1974.
Having grabbed the brass ring at the San Francisco Symphony, he’s working on being “discovered” and integrating his wide musical experience into his style.
HALIE! recounts the joys, hardships, and remarkable music that underscored the gospel singer’s career.
The fierce advocate for new music is again rethinking what his instrument can do with his latest project, Difficult Grace.
The LA Phil’s recent string of festival programming falls short on the classical side but succeeds at its most contemporary.
For the CD’s rerelease, the violinist has jettisoned one particularly troublesome piece and also recorded a new one by Florence Price.
