Features

A sample of genre-bending, new-music concerts that will expand your horizons — innovative works at the S.F. Electronic Music Festival, a hot new commission at the Berkeley Symphony, and John Adams double-your-pleasure at the S.F. Symphony.

As San Francisco Opera prepares to open its star-studded fall season on Sept. 10, several smaller companies are trumpeting that this is far from a one-house region. Indeed, the risks that regional companies are taking at a time of economic contraction — I’m being euphemistic here — are cause for rejoicing.

A preview of must-see artists and special events for the upcoming season, by Georgia Rowe.

Musical genres are concepts that may be crawling toward extinction in the new millennium, or so pianist Billy Childs believes. Looking to a more integrated era, he’s positioning his jazz quartet alongside the classically trained Kronos Quartet for the premiere of his commissioned composition, on Sept. 18 at the Monterey Jazz Festival.

Symphony concerts are good places to bring friends. There’s excitement, variety, time to talk at intermission, a focal point to the evening, and a chance to do something together afterward. The fall season in the Bay Area is crammed with goodies everyone can love. 

Choosing a concert geared for the entire family can be tricky, yet local ensembles and presenters are going out of their way this fall to design the tastiest classical kid’s-menu possible. Here are a few that are sure to be of interest to both the younger and older sets, introducing music, soft serve. 

Known for presenting the classics and nurturing emerging singers, Opera San José generally steers clear of contemporary works. Undaunted by audience reaction to modern pieces, General Director Irene Dalis decided to roll the dice and mount a $1 million production of Anna Karenina.

For years now it’s been obvious that the classical orchestral concert is in need of some rethinking for modern audiences. And no one has been more out in front of this issue than the S.F. Chamber Orchestra, which began its popularizing mission by giving all its concerts away for free. Its current music director, Ben Simon, has gone the full monty, trying out a variety of new ideas. Simon’s new venture, “You Gotta Hear This” at the Rrazz Room in S.F. is an expansion on his original ideas.