Reviews

Lisa Hirsch - March 10, 2009
On Sunday, at Hertz Hall, the Takács Quartet played the second of their two Berkeley concerts this season. As with the first concert, an eminent guest joined the quartet. This time, we were lucky enough to hear Peter Wyrick, associate principal cellist of the San Francisco Symphony.
Jeff Dunn - March 10, 2009
The Other Minds Festival of New Music should rightly be proud of its track record of bringing many "other" ideas of composers from all corners of the globe to the musical table. However, an interesting idea for an ingredient is one thing; a decent musical meal, another.
Michelle Dulak Thomson - March 10, 2009

The seventh season of the San Francisco Conservatory's BluePrint Project had a deliberate political cast to it.

Jeff Dunn - March 9, 2009
Valentine's day is past, and the bloom is off the rose. Thirty years past my first deep acquaintance with Brahms and Dvořák, after repeatedly relishing in their many sublime creations, and enjoying flings with even the least of their compositions, my Don Juan for them is waning.

Until now.

Heuwell Tircuit - March 9, 2009
Although the music of Olivier Messiaen is extremely popular these days, his songs are rarely encountered in live performance. Little wonder, for they're so overly demanding. Dramatic soprano Heidi Melton and pianist John Parr took on the major beast of the field, his largest cycle, Harawi, Sunday afternoon in Old First Church, and pulled off a triumph.
Jessica Balik - March 9, 2009
Who is László Klangfarben, and what is a Schick Machine? Those were the two burning questions on the minds of audience and protagonist alike during Schick Machine, a theatrical and musical work commissioned by Stanford Lively Arts and premiered Saturday evening at Stanford’s Dinkelspiel Auditorium.
Jason Victor Serinus - March 9, 2009
How many tenors who hail from New Zealand can put across the Neapolitan songs of Francesco Paolo Tosti as if born and raised in southern Italy? James Benjamin Rodgers can.
Janos Gereben - March 6, 2009
Recession be damned: for the second week, new, complex, "heavy" music and Ravel have filled the 2,743-seat Davies Symphony Hall.
Scott Cmiel - March 3, 2009

The Spanish guitarist Margarita Escarpa offered a recital notable for finely wrought emotion, beautiful sound, and flawless technique on Saturday at the Green Room of San Francisco’s War Memorical Veterans Building.

Anna Carol Dudley - March 3, 2009

Berkeley Opera’s performance of The Tales of Hoffmann, which opened Saturday at the Julia Morgan Center, is a resounding success.