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Jessica Balik

Jessica Balik is a flutist and has a PhD in historical musicology from Stanford University.

Articles by this Author

Chamber Orchestra/Orchestra Review
March 22, 2019
Christian Tetzlaff Headlines, and S.F. Symphony Oboist James Button Shares the Limelight
BY Jessica Balik

The violin virtuoso is masterful in Mozart’s third concerto, but Button sparkles throughout the concert.

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Chamber Music Review
February 5, 2019
Elevate Ensemble Masters Thorny Pieces With Panache
BY Jessica Balik

A concert titled “Low Hanging Fruit” gathers a bounty of challenging new works.

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Chamber Music Review
December 18, 2018
At SoundBox, Come for the Music, Stay for the Atmosphere
BY Jessica Balik

S.F. Symphony’s experimental performance space is hip and busy.

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Chamber Music Review
December 11, 2018
One Found Sound Explores New Musical Connections with “Divergence”
BY Jessica Balik

The hip, conductorless ensemble ranges seamlessly from a contemporary work based on an Indian theme to a Mozart classic.

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Chamber Orchestra/Orchestra Review
November 6, 2018
Marwood Mends New Century Chamber Orchestra Opener
BY Jessica Balik

Guest concertmaster Anthony Marwood leads the ensemble in its season opener.

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Chamber Orchestra/Orchestra Review
October 29, 2018
S.F. Symphony Uplifts and Informs With a Timely Premiere From Kevin Puts
BY Jessica Balik

Violinist Ray Chen dazzles his adoring fans in Edouard Lalo’s Symphonie espagnole.

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Chamber Orchestra/Orchestra Review
October 22, 2018
S.F. Symphony Takes a Tour of Spain
BY Jessica Balik

Pianist Javier Perianes Is a revelation.

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Chamber Music Review
October 15, 2018
Kate Stenberg and Sarah Cahill Give New Music a Good Name
BY Jessica Balik

The local power violin-piano duo explores contemporary music in a way that everyone should celebrate.

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Chamber Orchestra/Orchestra Review
October 7, 2018
Berkeley Symphony Opens With Promising Vitality
BY Jessica Balik

Violinist Benjamin Beilman wows with a powerful rendition of a Jennifer Higdon concerto.

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Festival Review
August 7, 2018
William Bolcom and Acolytes Shine in Cabrillo’s “After Dixieland”
BY Jessica Balik

Fascinating compositions and understated virtuosity transcend the program’s ambiguous concept.

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Chamber Orchestra/Orchestra Review
May 21, 2018
Thought-Provoking Masterworks Cap Oakland Symphony’s Season
BY Jessica Balik

Peace prevails in a program exploring “the artist’s struggle.”

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Recital Review
May 15, 2018
Contemporary Art Songs Dazzle at the Center for New Music
BY Jessica Balik

Two musicians from the Brooklyn Art Song Society perform new works by UC Davis composers and poets.

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Modern Classical Review
April 23, 2018
M. Lamar and Living Earth Show Conduct an Ominous Tour of "Lordship and Bondage"
BY Jessica Balik

Edgy, polygenre music underscores Lamar's idiosyncratic philosophy in a 10-song cycle.

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Modern Classical Review
April 17, 2018
Other Minds' Sound Poetry Week Wraps With Premieres by Pamela Z and Jaap Blonk
BY Jessica Balik

The accent was on the sounds that words and phonemes make in music that slurs and blurs meanings.

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Chamber Orchestra/Orchestra Review
April 10, 2018
The Seattle Symphony Wades Into the Unfathomable Ocean
BY Jessica Balik

Works by Sibelius, Britten, and John Luther Adams celebrate the mysterious power of the sea.

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Chamber Music Review
March 19, 2018
New Century Borrows a Chamber Orchestra From Zurich
BY Jessica Balik

Two orchestras, one stage, four centuries of music.

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Chamber Orchestra/Orchestra Review
March 12, 2018
S.F. Symphony Steps Out With Dance-Themed Concert
BY Jessica Balik

Edward Gardner provided a firm lead while Simon Trpčeski was rhapsodic on the keys.

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Chamber Music Review
February 27, 2018
Decoda Enchants With Clarinet Quintets Between Courses at Town Hall
BY Jessica Balik

Tertulia Chamber Music brings its mix of concert-going and culinary pleasure to San Francisco.

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Chamber Orchestra/Orchestra Review
February 13, 2018
An Evasive New Concerto to Match Beethoven’s Hero
BY Jessica Balik

St. Paul Chamber Orchestra and Jonathan Biss commission response pieces to Beethoven’s concertos and Salvatore Sciarrino took the anti-Beethoven role.

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Chamber Music Review
February 8, 2018
Four Hands, No Waiting: Visions de l’Amen Springs to Life on Two Pianos
BY Jessica Balik

Eric Zivian and Sarah Cahill shine on Olivier Messiaen’s challenging work.

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