After more than two years of forced isolation, performance touring is back on the calendar.
The mezzo who portrayed Rosina despite a broken leg is now one of the finest bel canto singers of our era. Here’s where to start with her discography.
New high-profile recordings of works by Erwin Schulhoff, Mieczysław Weinberg, and Alberto Hemsi return nearly lost music to life.
The saxophonist and longtime SFSU faculty member has carved an idiosyncratic path and brought up a new generation of players his own way.
Composer Nico Muhly and librettist Alice Goodman explore the Passion on harp.
The storied ensemble-in-residence that’s always inviting new players into the fold debuts this week in its latest configuration.
The oldest instruments and the newest come together as Cal Performances hosts the Colin Currie Group and Sō Percussion.
One of the surest signs that the community is finding its footing again is the opening of a new club, Simon Rowe’s Keys Jazz Bistro.
After making an unprecedented investment in online content, will arts groups simply return to “normal” live performances?
What do ramekins and freedom have in common? More than you’d expect, if you’re asking German performance artist David Brandstätter.
