It’s all part of getting into character as Tines channels the life and trials of a legendary performer, Paul Robeson.
The Oakland performer and composer has adapted the story of the golem into an engaging eight-part suite.
The company’s 102nd season is off to a grand start with this well-staged and well-sung production of Verdi’s historical drama.
The LA Phil makes a splendid production out of Saint-Saëns, nicely setting up the concert’s second half of opera excerpts from Carmen.
Dalia Stasevska showcases a diverse selection of music, from the pulse-pounding to the lyrical.
The young pianist is already a great performer, as he shows in Beethoven’s “Emperor” Concerto.
Music and narration blend in the composer-guitarist’s Memoir, based on his mother’s account of her life.
Igor Stravinsky’s venerable modernist masterpiece still has the power to shock, if only you add in helicopters.
Super soloist Aubree Oliverson is joined by her fellow post-conservatory grads in works by J.S. Bach and Georg Philipp Telemann.
The LA Phil is the latest orchestra to air the concerto, which was commissioned from five different composers.