Philip Glass’s beautiful dance-opera adaptation of a thorny Jean Cocteau theme gets the first-rate production and performance it deserves.

Magen Solomon’s unusually broad program showcases nearly a millennium of music by and about women.

Flat programming and dull arrangements don’t fulfill the promise of the revered ensemble.

SFO’s militantly fresh approach eschews the camels and kitsch and highlights outstanding performances, potent choreography, and unapologetically modern design.

Two commissions honor Marin Alsop, the festivals founder and guiding light.

Opera Parallèle delivers an imaginative production of Peter Maxwell Davies’ mysterious opera for three voices.

Extraordinary singing by Michael Fabiano was the main reward in an otherwise uninspiring performance.

You’d be forgiven if you haven’t heard of Rebel and Aubert, but ABS’ performance highlighted the inventiveness of their lesser-known works.