Lisa Hirsch

The SF Symphony’s music director finally tackles Mahler with the orchestra, and a new work by Trevor Weston opens the program.

Hollywood glamour and Shakespearean politics mix thrillingly in the world premiere of John Adams’s opera.

Many of the most memorable performances of the last century were given by a different singer than the one initially planned.

The company completes its tour of Philip Glass operas with a reimagined take on this fairy-tale classic.

Esa-Pekka Salonen leads the Bay Area premiere of John Adams’s recent piano concerto, Must the Devil Have All the Good Tunes?

Director Peter Sellars collaborates with Esa-Pekka Salonen on a production that tells the full story of Oedipus.

The latest iteration of Bullock’s evolving program highlights Black composers and visual artists.

Guest cellist Alisa Weilerstein skillfully evokes the title character in Strauss’s Don Quixote.

The conductor is back for the first time since 2008, leading a piece that audiences at Davies Symphony Hall know well.

The mezzo dazzles in a wide-ranging Schwabacher recital.