Mark MacNamara

Ragazzi Boys Chorus: Unite the StreetsGive Kids Dance and Give Them CourageStaying Grounded With Ariana Kim

The rip-roaring days of San Francisco’s Barbary Coast come alive, courtesy of the S.F. Symphony.

Rob Kapilow’s new piece for the Marin Symphony contemplates the Golden Gate Bridge, sound by sound, note by note.

The Sphinx Organization is having slow but steady success in introducing classical music to underserved African-Americans and Latinos, and in the process is helping to further integrate American orchestras.

A much-lauded quartet soldiers on with two substitute players, due to a birth in the string family.

An uproar over the nonrenewal of an artistic director’s contract brings out sharp divisions in how to define success at one of the most successful youth choruses in the world.

Want to know the secrets of Olivier Messiaen’s music? Ask organist Jonathan Dimmock, who plays one of the composer’s greatest works this month.

Farewell to Montserrat Figueras, a great singer whom Bay Area audiences will long remember.

The latest test to U.S. copyright law before the Supreme Court affects a wide range of “little guys.” What will the impact be for classical music stakeholders?

The Supreme Court is set to rule on the constitutionality of one provision of recent U.S. copyright law. In Part 1 of SFCV’s special report, we take a look at the issues, the history, and the important implications for musicians.