Michael Zwiebach

The orchestra’s chief operating officer moves up to the hot seat.

There’s no lack of music about nature, but this thoughtfully designed concert brought things together in an especially pleasing way.

The SFCM's newest departments are prominently showcased in a weekend crammed with performances.

KQED reporter Chloe Veltman meets singers who have had gender reassignment surgery, and how they’re adapting their careers to their authentic selves.

Orchestras and opera houses are the most change-resistant classical organizations. So how’s that balance thing going in the Bay Area?

The edgy festival devoted to sound brings its ninth, and biggest, festival to San Francisco.

The tenor withdraws from the company’s production of Roméo et Juliette.

In the wake of a detailed, wide-ranging Associated Press investigation into alleged sexual misconduct, the company decided to cancel the highly anticipated concert.

With the 2019 festival in full swing, the company announces a wild 2020 season filled with sex, crime, and great music.

Handel’s oratorio Joseph and His Brethren gets some long-overdue love from Philharmonia Baroque Orchestra.