Tysen Dauer

Tysen Dauer studies musicology at Stanford University. His current research focuses on the reception history of early American minimalism.

Articles By This Author

Tysen Dauer - April 24, 2018

Composer Héctor Armienta's new opera, based on the famous novel by Rudolfo Anaya, is an ambitious work that needs to spread its wings.

Tysen Dauer - April 9, 2018

Green Fog delights the eyes, but the musical highlights were elsewhere.

Tysen Dauer - February 26, 2018

Music, drama, and insightful text transform a taboo topic into art.

Tysen Dauer - January 22, 2018

Britten’s brilliant Violin Concerto outshines the rest of the 20th-century program.

Tysen Dauer - June 12, 2017

A musical tribute to the great jazz saxophonist by way of J.S. Bach and poet A.B. Spellman

Tysen Dauer - May 30, 2017

Lou Harrison’s Varied Trio was only on the program in commemoration of the composer’s anniversary. But the audience loved it.

Tysen Dauer - April 24, 2017

Murat Eyuboglu’s genre-melding project comes up short, but Roomful of Teeth, Glenn Kotche, and Jeffrey Zeigler deliver some high points.

Tysen Dauer - March 14, 2017

Cécile McLorin Salvant with Aaron Diehl’s ensemble found delicate emotional harmony in their all-encompassing performance.

Tysen Dauer - February 13, 2017

Philip Glass’ Orpheus Suite tops a program of musical delights.

Tysen Dauer - January 17, 2017

Yves Klein’s Monotone-Silence Symphony only appears to be off-the-wall experimental. Actually, it’s a modest experiment and a captivating experience