Director Peter Sellars helms the concert version of the opera at the SF Symphony, with Esa-Pekka Salonen conducting.
The long-awaited premiere of Matthew Welch’s Tomorrow’s Memories, drawn from the writings of a young Filipina immigrant, is set for June.
Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.
The Swedish soprano returns to SF Opera to tackle the challenging character of the Dyer’s Wife in Die Frau ohne Schatten.
The singer-songwriter discusses her collaboration with string quartet Brooklyn Rider, celebrating the power of beauty as a political act.
Classical music’s greatest summer stage will feature more women conductors and composers this year.
While enjoying the first summit of her career, Stasevska also has the courage to run supplies to her home country of Ukraine.
The celebrated Kurdish vocalist returns to San Francisco with a set that’s personal — but also unintentionally political.
The soprano introduces us to several lesser-known female composers and a fine Symbolist poet with this recording.
The celebrated artistic director of Apollo’s Fire is teaming up with Philharmonia Baroque Orchestra for a program of traditional Jewish music.
