The composer’s dark, often mocking orchestral work shares space with Brahms’s First Piano Concerto and Sibelius’s Symphony No. 3.
At Carnegie Hall, the Egyptian soprano and Andalusian guitarist trace the exchange of Islamic and Judaic influences in Spanish songs.
It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.
The Boston-based group marks its 10th anniversary with contemporary music and Beethoven.
The local premiere of Reich/Richter highlights a concert celebrating the 86-year-old composer’s long productivity.
As wonderfully as Giacomo Puccini’s opera has been served in the studio, this Warner Classics release is up there with the best.
The newly minted Grammy Award winner delivers a remarkably polished set at The Soraya.
The premiere of Esmail’s work about water and the environment makes a powerful impression alongside Gabriel Fauré’s Requiem.
With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.
The orchestra and director Donato Cabrera brilliantly interpret pieces that would have been intimately familiar to the composer.
