Reviews

Ken Iisaka - March 21, 2011

The young Chinese pianist Di Wu makes a thrilling local debut, with fireworks aplenty, evoking memories of Martha Argerich.

Rachel Howard - March 21, 2011

The classic story ballet Coppélia comes home to the San Francisco Ballet, in a radiantly danced new production.

Edward Ortiz - March 21, 2011

The Sacramento Choral Society and Orchestra elegantly paired searing orchestral music with well-etched singing in its performance of Verdi’s Requiem.

Janos Gereben - March 17, 2011

This week, Ragnar Bohlin and the S.F. Symphony Chorus met their ultimate challenge, performing Bach's B minor Mass, a towering landmark of all music. The result is a delightful surprise; an intimate, gentle, lyrical performance of this majestic expression of yearning for peace and the good of all humanity.

Janos Gereben - March 17, 2011

In Yuja Wang's first orchestral recording the pianist enthralls, ravishes, and demonstrates a kind of magic in what the pianist describes as “red-hot" reportoire.

Michelle Dulak Thomson - March 15, 2011

A new CD release of Brahms' Ein deutsches Requiem of Nikolaus Harnoncourt, with the Vienna Philharmonic and the Arnold Schoenberg Choir, is an often lovely, often puzzling performance — sometimes innocently affectionate, sometimes seeming to be making historical points in a way that aren't necessarily beneficial.

Thomas Busse - March 15, 2011

In the Marin Symphony’s lively pops-cum-masterworks concert Sunday, Bay Area composer Nathaniel Stookey ran away with the show.

Ken Iisaka - March 14, 2011

To pianists, Chopin’s formidable Études have always seemed akin to waterboarding. Canadian pianist Louis Lortie certainly earned his place among those who attempt them by recording the entire set in 1986, and since then has made the program an important component of his career.

Jeff Dunn - March 14, 2011

A recent BluePrint concert offered a disconcerting, echoing trope in a major new work offered at the San Francisco Conservatory of Music, just one piece in a series of experimental works that impressed.

David Bratman - March 14, 2011

I’m a curious cat, intrigued by unusual things, so I went to a double-bass recital as part of the Music at the Mission chamber music series. The lesson of the evening’s repertoire was that composers who write solo pieces for the double bass are apt to be slightly eccentric.