Rebekah Ahrendt

Rebekah Ahrendt holds the artist's diploma in viola da gamba and historical performance practice from the Royal Conservatory of The Hague. Currently, she is a graduate student in historical musicology at UC Berkeley.

Articles By This Author

Rebekah Ahrendt - March 17, 2009

The members of the California Bach Society deserved all the applause they received on Sunday afternoon, plus more. Until then, I had not had the opportunity to hear the group since Paul Flight became artistic director.

Rebekah Ahrendt - March 3, 2009

In the first of its two programs at Berkeley’s First Congregational Church this past weekend, Le Concert des Nations presented a potpourri of baroque classics titled “Les Goûts Réunis.” The title really ought to have been “Greatest Hits of the Baroque,” or — better — “Savall’s Number Ones.” Of the program’s six pieces, four were bona fide classics, the others evident favorites of Jordi

Rebekah Ahrendt - December 9, 2008
Philharmonia Baroque Orchestra appeared in a different guise Saturday at Berkeley's First Congregational Church.
Rebekah Ahrendt - June 24, 2008
In the last decade of his life, Haydn entertained a number of visits from Georg August Griesinger, who transcribed their conversations and published them as a series of biographical notices.
Rebekah Ahrendt - March 4, 2008
What a perfect day. On Saturday I had the pleasure of listening to the Miró Quartet at the Florence Gould Theater of San Francisco's Legion of Honor. All my regrets about missing part of a beautifully sunny afternoon were dispelled by the performance of this first-rate ensemble.
Rebekah Ahrendt - December 11, 2007
Continuing a long-standing tradition, the San Francisco Bach Choir presented a joyful holiday program on Saturday night. The large sanctuary of Calvary Presbyterian Church in San Francisco resounded with Renaissance and early Baroque works, as well as traditional music of the season. SFBC's program, titled "Psallite!
Rebekah Ahrendt - October 16, 2007
Those inclined to universalize have often pointed to the nearly uninterrupted performance tradition and seemingly unending appeal of Bach as evidence of his greatness. As part of her three-day Bach Festival, Canadian pianist Angela Hewitt was joined at Berkeley's First Congregational Church last Thursday by German cellist Daniel Müller-Schott.
Rebekah Ahrendt - August 14, 2007
In 1781, Joseph Haydn wrote to his publisher Artaria about recent performances of his Stabat Mater in Paris: "They were amazed to find me so exceptionally pleasing in vocal composition, but I am not amazed, and they have heard nothing yet; if only they could hear my short opera L'isola disabitata ...
Rebekah Ahrendt - August 7, 2007
In a concert Friday night at St. Mark's Episcopal Church in Palo Alto, the [email protected] festival featured the world-class artists for which it is known, playing music both familiar and strange.
Rebekah Ahrendt - July 24, 2007
On a January morning a few years ago, I received a telephone call from an eminent professor of classical music. "Guess whose birthday it is!" he giggled. "No idea." His hint, "Your least favorite of the great composers!" caused me to reply, "Ah — it must be Mozart!" But the many pleasures of the first program of the Midsummer Mozart Festival, as well as advancing age, have changed my mind.