The title of the piece opening Stanford Lively Arts’ 2009-2010 season, aside from its references to Shakespeare’s play of four centuries ago and Verdi’s adaptation (as Otello) to the operatic stage in 1887, denotes a psychopathological rage based on suspected spousal infidelity. There’s a threat, with The Othello Syndrome, that lovers of classical literature and music might be driven into a simila