Previews

Michael Zwiebach - February 8, 2011

Even people who don't generally like opera make an exception for Rossini's The Barber of Seville. What better way to perk up your February than to see this comic fireball performed with a young, good-looking cast of up-and-comers at the OSJ?

Jessica Hilo - February 8, 2011

The San Francisco Chamber Orchestra brings new life to the silver screen with the upcoming concert series, Now or Never.

Jeff Kaliss - February 8, 2011

Mario Guarneri is no more a classical purist than he is a violinist. Instead, the Juilliard-trained trumpeter, who spent 15 years with the L.A. Philharmonic, is a proponent of both the jazz and classical repertoires, as he’ll demonstrate with his appearance for the Healdsburg Jazz Festival.

Jonathan Rhodes Lee - February 7, 2011

Gabriele Cassone came to all his instruments — the modern trumpet, the natural trumpet, and the keyed trumpet — almost by accident. But what a series of happy accidents they proved to be; showcased in a concert this weekend by Philharmonia Baroque.

Michael Zwiebach - February 2, 2011

Gilbert and Sullivan's The Yeoman of the Guard contains some of the pair's best songs and when performed by Lamplighters Musical Theatre, it's an entertaining way for anyone to spend two carefree hours.

Stephanie Jones - February 1, 2011

In Eonnagata, coming to Cal Performances, three major artists challenge themselves outside their comfort zones.

Michael Zwiebach - February 1, 2011

Leave it to the enterprising Nicole Paiement and the San Francisco Conservatory's ongoing BluePrint series to celebrate Bowles' musical legacy on the 100th anniversary of his birth.

Michael Zwiebach - February 1, 2011

The Eos Ensemble shows up at the Music at Meyer series at Temple Emmanu-El, and they're bringing horn player Kevin Rivard to round out an exciting program likely to have you calling for a shot of pálinka (Hungarian brandy).

Ken Bullock - February 1, 2011

OperaLab — high energy, high adrenaline, and intimate new project from Berkeley West Edge is featuring a upcoming musical reading, which features Mozart's Zaide (1780), an opera he left unfinished in favor of other projects.

Marianne Lipanovich - January 31, 2011

When myths and fables combine with movement and light, it’s a powerful force. And since fantasy plays a major role in the lives of many preteens and teenagers, it’s only fitting that the S.F. Boys Chorus adds its own musical contribution.