Reviews

Matthew Cmiel - March 4, 2011

The San Francisco Contemporary Music Players ensemble continues to evolve and explore new music, as evidenced by its Monday concert that displayed rich variety.

Thomas Busse - March 2, 2011

It would have been hard to tell, observing the small, graying audience in St. Mark’s Lutheran Church in San Francisco on Saturday, that videos of the early-music band Voices of Music had received, as of this writing, 3,558,070 hits on YouTube. I suspect a good deal of those came from Web queries for the famous Pachelbel Canon, of which VOM has posted an excellent recording.

Be'eri Moalem - March 1, 2011

What other touring orchestra posts its country's flag on stage when performing internationally? Israel's nationalistic pride is well known, and the Israel Philharmonic Orchestra (IPO) is a particularly special source of honor for Israelis.

Steven Winn - March 1, 2011

The Vienna Philharmonic, one of the world’s great orchestras, plumbs the depths and heights of Mahler’s Symphony No. 6, in its final Berkeley performance Sunday.

Jerry Kuderna - February 28, 2011

What sacred music do you set alongside Mozart’s great Requiem in a concert? The San Francisco Symphony movingly squared the circle Thursday with works by Morton Feldman and Mindaugas Urbaitis.

Georgia Rowe - February 28, 2011

Philip Glass’ Orphée earns high marks as a 20th-century alternative to Gluck’s Orfeo ed Euridice. It just deserves a better production than the blunt, charmless staging mounted by the Ensemble Parallèle at Herbst Theatre over the weekend.

Scott Cmiel - February 28, 2011

The Paris Guitar Duo, in its first San Francisco outing, performed wide-ranging music with brilliance, but with odd mannerisms.

Jeff Dunn - February 28, 2011

Three interpreters at Oakland East Bay Symphony's concert on Friday transformed composers’ dreams into art worthy of both praise and concern.

David Bratman - February 27, 2011

The Vienna Philharmonic began its Berkeley residency Friday with a concert that showed off its versatility. The three composers, all from within Vienna’s cultural orbit, were aesthetically different from each other: high Classicism from Franz Schubert, wallowing Romanticism from Richard Wagner, and violent modernism from Béla Bartók.

Jason Victor Serinus - February 24, 2011

Joyce DiDonato’s latest recording, DivaDivo displays an artist so on top of her form and versatile in her voice that, like her last CD, it has a good chance of snaring another round of awards.