Reviews

David Bratman - March 5, 2010
With pianist Peter Serkin as its guest artist, the Orion String Quartet brought a pantheon of composers to its Stanford Lively Arts concert on Wednesday at Dinkelspiel Auditorium: Bach. Beethoven. Brahms. ...
Jason Victor Serinus - March 2, 2010

How to widen the circle, to bring more music lovers, both young and old, into the classical fold? In a time of shrinking budgets, that question constantly haunts concert producers, record company executives, musicians, and, yes, even critics in the U.S. (not China, Korea, or parts of Europe) who find themselves communicating with a shrinking pool of graying, mainly white-skinned, classical music aficionados.

Don Kaplan - March 2, 2010
What can you expect from a chorus whose motto is “singing without a net”? Certainly not sea chanteys or singers standing solemnly on risers. Instead, audiences attending Volti’s memorable concert Saturday at St.
Jeff Dunn - March 1, 2010

I’ve covered so many scrape-a-thon concerts of new music featuring the cello that I’ve almost forgotten what a gorgeous, melodious instrument it is. With cellist David Finckel and pianist Wu Han’s release (on the ArtistLed label) of four duos they commissioned, the lyrical cello returns with welcome suffusion.

Jonathan Rhodes Lee - March 1, 2010
The American Bach Soloists’ presentation of the 1725 version of Bach’s St.
Kwami Coleman - March 1, 2010
What does it mean to be an American? This question — provoked by the Oakland East Bay Symphony’s concert Friday — people have been asking in this country from jump, and we have in our collective memory a wide array of answers.
Scott Cmiel - March 1, 2010
A well-known guitar legend quotes Chopin as saying, “Nothing is more beautiful than a guitar, save perhaps two.” Mark Eden and Christopher Stell, the Eden Stell Guitar Duo, gave evidence on Saturday at the Veterans Building Green Room with their magnificent sound, vivid interpretations, and telepathic ensemble.
Georgia Rowe - March 1, 2010
For mastery of dynamics, unity of utterance, and sheer tonal beauty, aficionados would be hard-pressed to find a more accomplished a cappella ensemble than the Swedish Radio Choir.
Matthew Cmiel - February 28, 2010
It’s hard to know what to make of Thursday's concert at San Francisco’s Palace of Fine Arts. Was it a classical music event that featured The Dodos? Was it an indie rock concert with the Magik*Magik Orchestra? It was just this ambiguity, this realm that falls somewhere between modern classical and indie rock that was probably the goal of the Magik*Magik Orchestra, and their director, Minna Choi.
Dan Leeson - February 26, 2010
At the February 25 San Francisco Symphony matinee, Conductor Laureate Herbert Blomstedt led the orchestra in two polar opposite symphonic masterpieces.