The semistaged production cleverly transcends limits and delivers an exuberant reading of Bernstein’s score.
Justin Peck's dazzling choreography, and Sufjan Stevens' now-classic score The BQE provide a winning hand In the Countenance of Kings.
The premiere of Alexei Ratmansky's quiet, piano ballet is the highlight of a strong program.
Great company seeks great choreographer. The Ailey company won’t disappoint in its repertory items, which is reason enough to see them.
Brenda Way, KT Nelson, and Kimi Okada’s Oberlin Dance Collective is still going strong at 45.
Yuri Possokhov creates a ballet that bathes in wonderful artifacts of the Sixties.
A true story of a 19-year-old resisting the Nazis is the latest, powerful addition to Bill T. Jones’ dances exploring racism and social injustice.
The production, choreographed by the artistic director in 2009, returns to the War Memorial Opera House after a six-year absence.
The company showed plenty of confidence in its first program after returning from a tour of Spain.
Liam Scarlett’s latest ballet goes exuberantly “street,” and Mark Morris’ “Drink to Me Only ...” makes a welcome return.
