Reviews

Georgia Rowe - February 6, 2012

In a stunning performance, a new song cycle is born, capturing episodes from the life of a French sculptor.

David Bratman - February 3, 2012

The strong-fingered, highly rhythmic, and coolly emotional pianist Joyce Yang chooses a crafty program for her debut disc.

Jeff Dunn - February 2, 2012

If you ever wondered how today’s symphonies contrast with those of a century ago, a trip to the Marin Symphony to hear Alasdair Neal conduct the orchestra would have been enlightening.

Jim Farber - January 30, 2012

Long Beach Opera’s politicized version of Astor Piazzolla’s surreal “tango operita,” Maria de Buenos Aires treads a fine line.

Michelle Dulak Thomson - January 30, 2012

A magnificent, fantastically controlled string quartet marches up the mountain with four Shostakovich quartets, plus a heartfelt bonus work.

Jonathan Rhodes Lee - January 30, 2012

An array of instrumental music, from delightful to incredible, make for an English feast, whipped up by a top guest-chef.

John Lutterman - January 30, 2012

Dreamlike reveries contrast with straightforward neoromanticism in the Berkeley Symphony’s programming of French and Russian composers.

David Bratman - January 30, 2012

The Royal Philharmonic and pianist Thibaudet prove that the Hungarian half of its program can stand respectably next to the traditionally weighty Brahms German half.

Scott Cmiel - January 29, 2012

An esteemed European guitarist is cheered to the rafters in his second Bay Area recital.

Jeff Dunn - January 25, 2012

A fascinating, rarely heard Czech symphony by Josef Suk meditates on death, and is well worth a hearing.