Jim Farber

Glass’s second-most-improbable opera will be seen in the famous staging that cemented the show in the international repertory.

The vibrant new composition works brilliantly in tandem with a transitional work from Esa-Pekka Salonen.

The beginning of a long celebration emphasized everything that’s special about the orchestra and the city.

The superstar violinist is the standout in a program that didn’t always work.

The orchestra fills eight miles with a musical block party that showcases diversity.

Shawn Kirchner’s Songs of Ascent provides a powerful contrast with the Mozart Requiem.

L.A. Opera’s Don Carlo proves that Plácido Domingo is forever young.

The L.A. Master Chorale’s music director seems to be involved in every choral concert and opera in town.

The evolution of the Los Angeles Philharmonic presents a more hopeful view. Part II of LA Phil at 100.

The orchestra’s chief operating officer chats about plans for the upcoming milestone and the work behind the scenes to support the LA Phil’s success.