A lively concert awakens interest in authentically Spanish composers.
The West Coast premiere of Philip Glass’s Third Piano Concerto dominates the program.
Peace prevails in a program exploring “the artist’s struggle.”
Bach’s orchestral suites, masterfully interpreted.
The trio bends but doesn’t break jazz tradition, carrying on the legacy of Ornette Coleman, Eric Dolphy, and Coltrane.
Diverse programming and relaxed etiquette make an enjoyable experience.
A poorly-coordinated performance of Terry Riley’s In C caps off the evening.
Two musicians from the Brooklyn Art Song Society perform new works by UC Davis composers and poets.
Stéphane Denève leads a compelling performance, and Gautier Capuçon is the soloist.
The oratorio comes together with excellent soloists and choral contributions.
