The Cabrillo Festival opens with its usual bang, behind the powerhouse Christopher Rouse whose vibrant, propulsive (and loud) music is made for opening festivals.
Sometimes it’s good to venture out to the boundaries, find out what’s going on on the wild side of music. The annual Outsound Festival of experimental and improvisational music is as good a time as any to do this exploration.
The latest concert of the young, well-received duo ZOFO features music from several space-age composers and, of course, excursions to Gustav Holst’s The Planets.
Eos Ensemble, made up of members of the San Francisco Opera and Ballet Orchestras, celebrates their 10th anniversary with a Beethoven perennial, the Septet and Stravinsky’s laconic, darkly humorous Soldier’s Tale.
The Calder Quartet, which formed at the Thornton School at USC and then continued training at Colburn School in Los Angeles, has been seen frequently in the Bay Area over the past few years.
Magen Solomon’s San Francisco Choral Artists, having justreceived a favorable review in Fanfare for their recent With Strings Attached CD, should makeanyone’s shortlist of choral concerts to attend.
While it’s hard to explain the artistic alchemy that makes Robert Wilson and Philip Glass’s opera a success, it is surprisingly entertaining in the theater.
We were all grateful for Esa-Pekka Salonen’s tenure as music director of the Los Angeles Philharmonic. But we’re even happier to see him creating works like this brilliant Violin Concerto.
At Old First Concerts, composer David del Trediciand and duo pianist comrade Marc Peloquin offer the composer’s own Gymnopedies, Mandango, and Carioca Boy.
